Thursday, September 27, 2012
I wake up at
3am, anxious to miss the alarm and thus am showered and ready when Oswaldo
wakes at 4. Marinel arrives punctually and we share the brown bag breakfast the
hotel has provided. At the airport we join a straggling group of bleary-eyed
travelers and Oswaldo gets thoroughly searched in security due to some little
knick-knack attached to his bank token. When we enter the waiting area – it’s
still dark outside – large screens show MTV videos with Snoop Dog (sound muted). Next video features Prince in a tight red outfit – before he changed his
name. This is funny for many reasons, one of them being that I haven’t seen a
single black person for 3 weeks.
Everybody sleeps
on the hour and a bit flight and, as expected, Mihael is waiting for us with
his black Mercedes at the other end. The hotel manager at the Siqua is relieved
to see us. He had thought we would have been back after a week – even though I
did say the 27th… He’s also sorry to say there’s no room available.
Eventually he arranges a smaller and much less attractive room, which
Oswaldo moves into while I go off to the huge Unirea shopping center to get a
much-needed manicure and blow-dry, as well as spend my last lei.
Predictably, I get cheated by the taxi
driver going home.
We’ve arranged
to meet Eleonore for lunch at the charming Caturesti restaurant behind an old bookstore and a cheerful Noah's Ark sculpture.
We arrive early and have huge glasses of lemonade and
mint while we watch the happy customers serve themselves from the buffet. It’s
great to see Eleonore again – she’s such a blast of energy - and we share the stories of our many
activities in the two weeks that have passed, while we move on to huge glasses
of scarlet pomegranate juice and cannot resist the yummy desserts served in martini glasses. Then we part and we walk home, a little wan in
the 30 degree sun, but at the same time unwilling to face another taxi battle.
This is our
night to see “La Traviata” and we discover at the last minute the performance starts at
7pm and not at 7.30pm as we had thought. We hurry to dress in the relative finery we’ve
brought for just this occasion and walk over to the opera house, which is
almost next to the hotel. We’re admiring the pretty pastel and guilt interiors
and enjoying our mid first row seats, when we realize we’ve not brought the
camera. Didn’t even occur to us. And around us people are snapping picture
after picture. Grrr.
When the curtain
opens Violeta, the courtesan, is walking about in a white dress, shoulders
bare, hosting a slightly risqué party. This is when she meets and falls in love
with young Alfredo. From that moment our attention never wavers. The soprano has a
lovely warm voice and is an accomplished actress as well. The tenor is less so but has a nice timbre, and his father, the base, is really good. The choir consists of an older amateur group, dressed in colorful vintage costumes with the women wearing heavy make-up over their bare shoulders. They sing and act with gusto and clearly enjoy every moment on the stage. In Act II there’s a moment
of tension when the soprano’s heavy silk skirt begins to separate from the the back of her tight bodice and threatens to slide to the floor. Being so close, I observe the widening opening showing white undergarmenst and the various rescue efforts by other singers to fasten the snaps. Tremendously professional the soprano continues to act and sing, now gesturing only with her free left hand, since her right is desperately securing the skirt. Finally the count hands her a heavy ermine stole. Fascinated I watch her try to drape it on her shoulders, loooping it deep enough to cover the gaping aperture, while still not trusting the skirt to stay up. She’s laughing with embarrasment when Act Two ends and, after taking her well-deserved bows, she can hurry off the stage, always facing the audience. In Act Three she
returns, ill and dying in a (safe) white shift and sings so beautifully and
with such emotion that we’re both in tears. What a lovely way to end our amazing
trip. We walk home wowing to read the libretto, in general see more operas, and
so on. We’re so stimulated we almost give up on sleeping, because this time we
have a 3am wake-up call and at 3.40am Mihael will come for us.
We manage to
sleep around midnight and are surprisingly OK when we wake up 3 hours later.
The ultra modern airport (oh, people responsible for Galeão, take a look at what's out there...)
teeming with people, while we go sit in the business lounge. There’s a moment
of drama when I am called to retrieve my wallet, which I left in the duty free
store AND DIDN’T REALIZE. It held only my credit card, my euros and passport
being stashed away on my body, but still… three armed guards are standing
around it when I arrive in embarrassed rush, and I’m not allowed to touch it
before they’ve checked my passport twice. They caught me in the nick of time,
because minutes later we’re boarding the flight for Frankfurt. There we
make a bee-line for the business lounge again and wait for our flight 2 hours
later. Eleven and a half hours make for a long day-flight, but flying Lufthansa
Business (on miles) makes all the difference. We eat, drink, sleep, watch
movies, listen to music, work and think. We can’t wait to get home, but are
happy with the adventure we had.
And look what joy awaited us:
And look what joy awaited us:
Soon Victor arrives and we're all together again. So good to be home.










